Cyber Centre - Electronic Music, OSTs and Interviews — soundtrack

FFO: Whats's Up Mechadoc, Wangan Midnight Maximum Tune 6, Appare-Ranman!, ThorHighHeels and Kota HoshinoFavourite track: TAIMAN Battle   Q1: Is this the first fan translation you have worked on? A1: I've done smaller pieces of translation before, but not a massive project of this scale. This was the first "full" fan translation I'd worked on! Q2: How much coding knowledge do you need to create a translation patch? A2: It really does depend on the game itself; Some games on certain platforms require just opening up the game files and replacing text, others will have heavy encryption that will likely need cracking...

FFO: Shin Nekketsu Kōha: Kunio-tachi no Banka, Night Tempo, Strawberry Station,   Zombies Ate My Neighbors and Ghoul PatrolFavourite Track: Pineapple Ocean    I was lucky enough to speak with not only the composer Skule Toyama but also the game's director Jose Luis Abreu. Here's what they had to say. Jose: I’m Jose Luis Abreu, and I’m the director of PopSlinger! I also produced the tracks present in the dialogue cutscenes of the game and did the writing, game design, and overall creative direction of the characters.Skule Toyama: And I’m Skule Toyama. I'm the game composer. I did SFX and mastering...

FFO: Bionic Commando, Motor Crush, The Outer Worlds and VaneFavourite Track: Gardener (III) Ratvader was kind enough to answer a few questions we had about their work. Here's what they had to say! Q1: A couple of years ago you worked on the music for a side scrolling platformer called Wunderling. Were there any classic games from the genre you looked to for inspiration?A1: Loads of them! Mario of curse. I’ve been exploring different moods of musical expression these past years and rediscovered my love for films and the film music universe, even though it feels like Im just scratching the surface....

FFO: Portal, The Unfinished Swan, Manifold Garden and MystFavourite Track: Energy Failure  Damian Sanchez is the composer and audio director at the game studio Crema. He was kind enough to answer a few questions about their work. Here's what he had to say! Q1:  You have handled both the sound design and soundtrack composition for several projects in your catalog. Is it difficult to maintain a consistent sound palette and ensure all of the audio elements work together? A1: In my opinion, when you have a hand in everything, it's not that hard to achieve consistency as both, music as well as sound, share the same...

FFO: Bee and PuppyCat, Q and Not U and Moving Units Favourite Track: can't tell im happy or not